Showing posts with label Mike Ludlow. Show all posts
Showing posts with label Mike Ludlow. Show all posts

Sunday, October 21, 2012

High on Ludlow



Early last year, I devoted a post on this page to the demise of American illustrator Mike Ludlow and some of his truly exceptional paperback book fronts. Since then, I’ve discovered more of his cover artwork, and would like to share it with you.

The front at the top of this post ranks among of my all-time favorites. It comes from the 1952 Dell Books paperback edition of My Enemy, My Wife, by Allen Haden. Below you’ll find the painted covers from Brother Death, by John Lodwick (Dell, 1952); Turn on the Heat, by A.A. Fair/Erle Stanley Gardner (Dell, 1940--one of many covers for that novel); Snatch, by Roger Taylor (Bantam, 1981); Three Blind Mice, by Agatha Christie (Dell, 1948); and the back and front covers from Washington Confidential, a look at the, well, shadier side of the U.S. capital, by Jack Lait and Lee Mortimer (Dell, 1951).

Click on any of these images for an enlargement.







(Hat tip to Pulp Covers.)

READ MORE:Noir Art: Mike Ludlow” (NoirWHALE).

Wednesday, January 26, 2011

He Had a Way with Women



Leif Peng, the Canadian commercial artist behind the blog Today’s Inspiration, brings the sad news that American illustrator Mike Ludlow (born in 1921) died on December 11 of last year. According to a brief biography from The Great American Pin-Up (1996), by Charles G. Martignette and Louis K. Meisel:
Ludlow was a glamour illustrator who did much pin-up work in the late 1950s for Esquire. He painted the entire twelve-page calendar for 1957--the last published by the magazine. His pin-ups also appeared in the series of three-page centerfolds known as Esquire’s Lady Fair. For these works, Ludlow often called on actresses like Virginia Mayo and popular personalities like Betsy Von Furstenberg in addition to professional models.

Besides painting his
Esquire pin-ups, Ludlow had another entire career as an illustrator of romance articles, providing pictures of beautiful women to mainstream magazines such as The Saturday Evening Post, Good Housekeeping, Collier’s, and Family Circle. From 1950 to 1960, he also painted many front covers for paperback novels, including among his clients Pocket Books, Dell Books, and Bantam Books. All his paperback covers had a strong air of sensuality and featured sexy pin-up girls as the main figures.

Ludlow was born in 1921 and grew up in Buffalo, New York. He attended the Art Students League, where he studied with William McNulty. His first commercial art assignment, for the Sunday supplement of the
[New York] Journal American, came in 1948. From the beginning, Ludlow has specialized in glamorous subjects and made beautiful women his trademark.
Unfortunately, it was not long after Ludlow’s 1957 Esquire calendar slid off the presses that the magazine moved away from hand-drawn artwork to illustrate its articles, and toward what its editors considered the more modern usage of photography. To make up for the decline in magazine assignments, Ludlow took on advertising work (for Ballantine Ale and Douglas Aircraft), but also crafted the covers for LP music albums--and, of course, books.

It just so happens that one of my favorite women-in-distress paperback covers--from the 1952 Dell edition of Lawrence G. Blochman’s See You at the Morgue (1941)--was illustrated by Ludlow. (See that art atop this post.) And he was responsible, too, for the 1953 Dell Books edition of To Catch a Thief (displayed on the right), the David Dodge novel on which the 1955 Alfred Hitchcock romantic thriller of the same name was based. Ludlow’s other book-front credits include the 1952 Dell edition of Erle Stanley Gardner’s Bedrooms Have Windows; the 1951 Dell paperback version of Leslie Ford’s The Bahamas Murder Case; the 1950 Pocket Book edition of Halo in Brass, by John Evans (aka Harold Browne); the 1952 cover of Dell’s Border Town, by Carroll Graham; the 1962 first printing of Faith Baldwin’s Wife vs. Secretary; and the 1952 Dell edition of Rogue Queen, by L. Sprague de Camp.

(Click on the images for enlargements.)







Before this week, I was less familiar with Ludlow’s pin-up illustrations. Many of them are outstanding, though, including the two below: his 1955 painting for Esquire of Swedish model-actress Anita Ekberg (left) and the Lady Fair image on the right.



In honor of Mike Ludlow’s passing at age 89, Today’s Inspiration will be posting examples of his work all this week.

READ MORE:The Golden Age of Magazine Illustration,” by Vicki Woods (The Daily Telegraph); “Mike Ludlow, Story Illustrator” and “Mike Ludlow, Advertising Artist,” by Leif Peng (Today’s Inspiration).