Wednesday, October 11, 2017

Restless Eyeballing

The Stockade, by Kenneth Lamott (Dell, 1953), with a cover illustration by Griffith Foxley.

Anyone who’s worked with me knows my perfectionist tendencies. I generally hold myself to standards just shy of unreasonable, whether in my news reporting, my interviewing, my book criticism, or my blog designing. When laboring on behalf of print publications, my habitual desire to tinker with my work is restricted by deadlines and the fact that once a magazine or newspaper article (or a book, for that matter) goes to press, I can no longer polish sentences, sharpen my analysis of a subject, or correct errors I failed to spot originally. However, such limitations don’t necessarily exist in the world of Web publishing. Even after a piece is presented in Killer Covers or The Rap Sheet, I can return to it hours, days, weeks, months, or years later to make improvements or additions.

This flexibility has served me well in regard to themed galleries of vintage book fronts I’ve assembled for this page. Over the last couple of years, I have gone back to several early collections of paperback covers—including those having to do with suburban sleaze, summertime sex and scandals, captivating blondes, and showcased legs—and improved their look, beefed up their diversity, or both. This week I finally found the opportunity to enhance and expand a feature I put together a full eight years ago, about Peeping Tom covers.

I haven’t done much to that post in terms of its text, but I have greatly expanded its visual presentation. When the Peeping Tom gallery first went up in October 2009, it comprised a modest 33 book covers; now, with my having spent a few extra years collecting specimens of this breed, it has almost quadrupled in size, boasting 123 fine façades—a new Killer Covers record. There are likely other handsome examples out there waiting to be discovered. For the present, though, I declare this set pretty darn perfect.

Click here to see if you agree.

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